'But the strangest thing, the one that I haven't mentioned before, is this: that I felt fear in her presence. I say "fear" because back then I wasn't able to describe my confusion with another, more truthful, word. Even though I had read books and novels, love stories, I had in reality remained a barbaric little boy. And perhaps my heart, without my knowledge, took advantage of my immaturity and my lack of knowledge? If I think over the whole history of N. from the beginning, I realise that the heart is wise and strange in battling with conscience, fancyful like a costume designer. To create its masks it probably needs just a suggestion of nothing; to change facts it simply replaces one word with another... And conscience takes part in this bizarre game like a stranger at a masquerade under the influence of wine.'
Elsa Morante, L'Isola di Arturo
In describing Arturo's feelings, Morante captures perfectly how utterly strange it is to fall in love: how, if we're not yet experienced and wise with age, our feelings leave us confused and surprised, how we struggle to give a name to them, and how they turn us into helpless, irrational creatures.
Elsa Morante, L'Isola di Arturo
In describing Arturo's feelings, Morante captures perfectly how utterly strange it is to fall in love: how, if we're not yet experienced and wise with age, our feelings leave us confused and surprised, how we struggle to give a name to them, and how they turn us into helpless, irrational creatures.
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